Wild

Usher, Sam. Wild. Somerville, Massachusetts: Templar Books, an imprint of Candlewick Press, 2021.
A picture book by Candlewick is always worth picking up. This picture book is such fun that it’s worth picking up again and again. At least it is if you know cats. And like cats. A little boy wakes up to a ‘take care of the cat’ day with his grandfather. Sounds easy. Until the cat arrives with its own ideas. Like all great picture books, the illustrations – full of delightful details – tell as much as the words. Highly recommended for cat lovers 4 to 11 years old. P.S. If you have a new baby in the house, you might like to read this book, too. 

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Shelter

Claire, Céline. Shelter. Toronto: Kids Can Press, 2017.
A winter storm is on the way and all the animals are preparing. Gathering wood. Gathering food. Snuggling safely inside their homes. All except two strangers, who are wandering in the snow, seeking shelter. Who will help them? And how do they return that kindness? This beautifully written story – illustrated by Qin Leng – is warmly recommended for readers 5 to 11 years old.

P.S. For readers who like making connections to other stories, how is this picture book like the fable of the lion and the mouse?

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Capturing Joy

Bogart, Jo Ellen. Capturing Joy: The Story of Maud Lewis. Toronto: Tundra Books; Plattsburgh, N.Y.: Tundra Books of Northern New York, 2002.
Scenes of everyday life by a self-trained artist: horses pulling sleighs, cows grazing in fields, children walking to school, fishing boats on the sea. Maud Lewis – one of Canada’s greatest folk artists – didn’t follow all the rules regarding proportion and perspective. She didn’t include shadows in her scenes of summer. She sometimes painted impossible things, such as flowers on evergreen trees or snowy valleys surrounded by green hills. But all the time, her paintings were full of joy, even though her own life was full of hardship. This biography – illustrated by Mark Lang – isn’t the most well-designed picture book: the font is too small and serious; and the layout doesn’t reflect the happiness of the full-page colourful paintings. But the text is full of information and so the book would be useful as a read-aloud for children eight years old and up. It would be especially valuable as an introduction to a lesson on folk art or a unit on facing adversity with courage.

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A Boy Is Not a Bird

Ravel, Edeet. A Boy Is Not a Bird. Toronto: House of Anansi Press/Groundwood Books, 2019.
Eleven-year-old Natt’s comfortable life comes to an end when Russian soldiers invade his eastern European town during the summer of 1940. Hebrew schools are closed. Markets are shut down. Homes are confiscated. At first, Natt tries to cheerfully adjust to the Soviet occupation. But his perspective changes when food becomes scarce, his father is arrested, and he and his mother are put on a cattle train headed for Siberia. He recalls his father’s words: During a war, every day you can stay alive, you are a hero. Based on the true story of the author’s fifth grade teacher, this vivid 221-page novel is highly recommended for mature readers 11 years old and up.

P.S. Readers of Breaking Stalin’s Nose by Eugene Yelchin may wish to compare how the two main characters – Natt and Sasha – both stop admiring Stalin after their fathers are inexplicably arrested.

More stories of World War 2 

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